- ii7Fm7
- V7B♭7
- Imaj7E♭maj7
The standard cadence: Fm7 carries the subdominant function before the dominant arrives.
The Fm7 chord is a minor seventh chord built on the root note F. Its notes are F, A♭, C and E♭.
Minor seventh chords are smooth and neutral, softer than a plain minor triad. They're a staple of jazz, funk and neo-soul, where they add motion without heavy tension.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
To play Fm7 on piano, place your right hand with your thumb on F, index finger on A♭, middle finger on C and little finger on E♭. Press the keys together and listen for an even sound. On the keyboard A♭ and E♭ are black keys and F and C are white. Practice moving in and out of the chord slowly, then bring in a metronome.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
On guitar, Fm7 is commonly played with the voicing shown above. This one is a barre at fret 1: keep the index finger flat across the strings and curve the others so they don't mute the strings next to them.
F · A♭ · C · E♭
Try Fm7 on the virtual piano
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| Degree | Interval | Semitones | Note | Hear |
|---|---|---|---|---|
| 1 | Root | 0 | F | |
| ♭3 | Minor third | 3 | A♭(Ab) | |
| 5 | Perfect fifth | 7 | C | |
| ♭7 | Minor seventh | 10 | E♭(Eb) |
The Fm7 chord is built from a root, a minor third, a perfect fifth and a minor seventh. Start at the root F and stack the intervals to get the whole chord: F, A♭, C and E♭. The same formula gives you the chord in any other key.
Minor seventh chords are foundational in jazz, funk, neo-soul and R&B. They're typically the iim7, iiim7 or vim7 chord of a major key and the i7 of a minor key.
In major keys Fm7 is the ii7 in E♭ major, the vi7 in A♭ major and the iii7 in D♭ major; in minor keys it's the iv7 in C minor, the i7 in F minor and the v7 in B♭ minor.
Fm7 puts a minor seventh on a minor triad, which separates it from Fm(maj7), whose seventh is a half step higher and much sharper. Compared with Fm7♭5, it keeps a perfect fifth, so it sounds relaxed rather than tense. Its upper three notes form the major triad a minor third above the root, which is why it blends so easily with major chords.
A minor chord works as the tonic of its own key, and as the vi or the ii of a major one. Each progression below is written in the key its numerals name.
The standard cadence: Fm7 carries the subdominant function before the dominant arrives.
A turnaround. Fm7 is the relative minor of A♭, which softens the way back to the tonic.
A modal vamp - Fm7 is home, and the loop never resolves away from it.
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