- ii7E♭m7
- V7A♭7
- Imaj7D♭maj7
The standard cadence: E♭m7 carries the subdominant function before the dominant arrives.
The E♭m7 chord is a minor seventh chord built on the root note E♭. Its notes are E♭, G♭, B♭ and D♭. It's enharmonically the same chord as D♯m7.
Minor seventh chords are smooth and neutral, softer than a plain minor triad. They're a staple of jazz, funk and neo-soul, where they add motion without heavy tension.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
To play E♭m7 on piano, place your right hand with your thumb on E♭, index finger on G♭, middle finger on B♭ and little finger on D♭. Press the keys together and listen for an even sound. On the keyboard every note of E♭m7 is a black key. The thumb starts on a black key, so slide the whole hand a little further in, towards the fallboard. Practice moving in and out of the chord slowly, then bring in a metronome.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
On guitar, E♭m7 is commonly played with the voicing shown above. This one is a barre at fret 6: keep the index finger flat across the strings and curve the others so they don't mute the strings next to them. Don't play string 6.
E♭ · G♭ · B♭ · D♭
Play E♭m7 on the online piano
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Also known as D♯m7
| Degree | Interval | Semitones | Note | Hear |
|---|---|---|---|---|
| 1 | Root | 0 | E♭(Eb) | |
| ♭3 | Minor third | 3 | G♭(Gb) | |
| 5 | Perfect fifth | 7 | B♭(Bb) | |
| ♭7 | Minor seventh | 10 | D♭(Db) |
The E♭m7 chord is built from a root, a minor third, a perfect fifth and a minor seventh. Start at the root E♭ and stack the intervals to get the whole chord: E♭, G♭, B♭ and D♭. The same formula gives you the chord in any other key.
Minor seventh chords are foundational in jazz, funk, neo-soul and R&B. They're typically the iim7, iiim7 or vim7 chord of a major key and the i7 of a minor key.
In major keys E♭m7 is the ii7 in D♭ major, the vi7 in G♭ major and the iii7 in C♭ major; in minor keys it's the iv7 in B♭ minor, the i7 in E♭ minor and the v7 in A♭ minor.
E♭m7 puts a minor seventh on a minor triad, which separates it from E♭m(maj7), whose seventh is a half step higher and much sharper. Compared with E♭m7♭5, it keeps a perfect fifth, so it sounds relaxed rather than tense. Its upper three notes form the major triad a minor third above the root, which is why it blends so easily with major chords.
A minor chord works as the tonic of its own key, and as the vi or the ii of a major one. Each progression below is written in the key its numerals name.
The standard cadence: E♭m7 carries the subdominant function before the dominant arrives.
A turnaround. E♭m7 is the relative minor of G♭, which softens the way back to the tonic.
A modal vamp - E♭m7 is home, and the loop never resolves away from it.
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