F7 is the chord that wants to resolve, so ending the loop on it hands straight back to the top.
F7 Chord: Guitar, Piano and Notes
The F7 chord is a dominant seventh chord built on the root note F. Its notes are F, A, C and E♭.
Dominant seventh chords sound tense and bluesy. The minor seventh on top of a major triad creates a pull toward a resolution, which is why this chord powers the blues and drives cadences in jazz and pop.
- Notes
- F · A · C · E♭
- Formula
- 1 · 3 · 5 · ♭7
- Semitones
- 0 · 4 · 7 · 10
- Note
- F
- Quality
- Dominant 7
- Symbol
- F7
F7 on piano
4 notes
Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
To play F7 on piano, place your right hand with your thumb on F, index finger on A, middle finger on C and little finger on E♭. Press the keys together and listen for an even sound. On the keyboard E♭ is a black key and F, A and C are white. Practice moving in and out of the chord slowly, then bring in a metronome.
- F1
- A3
- C5
- E♭♭7
F7 on guitar

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
On guitar, F7 is commonly played with the voicing shown above. This one is a barre at fret 1: keep the index finger flat across the strings and curve the others so they don't mute the strings next to them.
F · A · C · E♭
Play F7 on the online piano
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F7 chord notes
| Degree | Interval | Semitones | Note | Hear |
|---|---|---|---|---|
| 1 | Root | 0 | F | |
| 3 | Major third | 4 | A | |
| 5 | Perfect fifth | 7 | C | |
| ♭7 | Minor seventh | 10 | E♭(Eb) |
How to use the F7 chord
The F7 chord is built from a root, a major third, a perfect fifth and a minor seventh. Start at the root F and stack the intervals to get the whole chord: F, A, C and E♭. The same formula gives you the chord in any other key.
Blues, jazz, funk and rock'n'roll all run on dominant seventh chords. They typically act as the V7 resolving back to the tonic, or carry a twelve-bar blues from end to end.
In major keys F7 is the V7 in B♭ major; in minor keys it's the VII7 in G minor and the V7 in B♭ minor. As the V7 of B♭ minor it takes its third, A, from the harmonic minor scale: the key's seventh degree, raised a half step.
How F7 differs from similar chords
F7 and Fmaj7 look alike on paper and sound opposite: the seventh of F7 is a whole step below the octave, the seventh of Fmaj7 only a half step. That minor seventh forms a tritone with the major third, the interval that makes F7 want to move on. Fmaj7 has no tritone, so it can rest.
Where F7 is used
A dominant chord wants to resolve. Its home is the V of a major key - and the I of a blues, where the pull never lets up.
The twelve-bar shape boiled down. The tonic is itself a dominant seventh, which is what makes it a blues.
The turnaround at the end of a chorus: F7 is the chord that sends it round again.
Questions people ask
- What notes are in the F7 chord?
- The F7 chord contains F, A, C and E♭ (F, A, C and Eb in plain text).
- Is the F7 chord major or minor?
- F7 is a dominant seventh chord. Dominant seventh chords sound tense and bluesy. The minor seventh on top of a major triad creates a pull toward a resolution, which is why this chord powers the blues and drives cadences in jazz and pop.
- What key is the F7 chord in?
- In major keys F7 is the V7 in B♭ major; in minor keys it's the VII7 in G minor and the V7 in B♭ minor. As the V7 of B♭ minor it takes its third, A, from the harmonic minor scale: the key's seventh degree, raised a half step.
- How do you play F7 on piano?
- Place your fingers on F, A, C and E♭ and play them together. The root usually goes to the little finger of the left hand, the upper notes to the right. On the keyboard E♭ is a black key and F, A and C are white.
- How do you play F7 on guitar?
- Use the fingering in the diagram above. This one is a barre at fret 1: keep the index finger flat across the strings and curve the others so they don't mute the strings next to them.
- What chords work well with F7?
- F7 pairs naturally with the chords in the related section: a perfect fifth up or down, the relative major or minor, and anything sharing two notes with it.