- ii7E♭m7
- V13A♭13
- Imaj7D♭maj7
A♭13 is the chord that wants to resolve, so ending the loop on it hands straight back to the top.
The A♭13 chord is a dominant thirteenth chord built on the root note A♭. Its notes are A♭, C, G♭, B♭ and F. It's enharmonically the same chord as G♯13.
Dominant thirteenth chords are the fullest dominant sound in common use, a dominant seventh with a ninth and a thirteenth piled on top. The major sixth on top, sounding an octave up as the thirteenth, gives the chord a bright, open lid.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
To play A♭13 on piano, place your right hand with your thumb on A♭, index finger on C, middle finger on F, ring finger on G♭ and little finger on B♭. Press the keys together and listen for an even sound. On the keyboard A♭, G♭ and B♭ are black keys and C and F are white. The thumb starts on a black key, so slide the whole hand a little further in, towards the fallboard. Practice moving in and out of the chord slowly, then bring in a metronome.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
On guitar, A♭13 is commonly played with the voicing shown above. This one is a barre at fret 1: keep the index finger flat across the strings and curve the others so they don't mute the strings next to them.
A♭ · C · G♭ · B♭ · F
Play A♭13 on the online piano
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Also known as G♯13
| Degree | Interval | Semitones | Note | Hear |
|---|---|---|---|---|
| 1 | Root | 0 | A♭(Ab) | |
| 3 | Major third | 4 | C | |
| ♭7 | Minor seventh | 10 | G♭(Gb) | |
| 9 | Major ninth | 14 | B♭(Bb) | |
| 13 | Major thirteenth | 21 | F |
The A♭13 chord is built from a root, a major third, a minor seventh, a major ninth and a major thirteenth. Start at the root A♭ and stack the intervals to get the whole chord: A♭, C, G♭, B♭ and F. The same formula gives you the chord in any other key.
Dominant thirteenth chords are the default rich dominant in jazz, gospel and R&B horn and keyboard voicings, usually the V7 resolving to a major or minor tonic. Big band charts lean on them wherever a plain dominant seventh would sound thin.
A♭13 tops the dominant family, with a thirteenth over A♭7 and A♭9. The thirteenth is the sixth an octave higher, and that is the line between it and A♭6: A♭13 also has the minor seventh, so it keeps the dominant pull. The fifth and the eleventh are left out so the voicing doesn't get muddy.
A dominant chord wants to resolve. Its home is the V of a major key - and the I of a blues, where the pull never lets up.
A♭13 is the chord that wants to resolve, so ending the loop on it hands straight back to the top.
The twelve-bar shape boiled down. The tonic is itself a dominant seventh, which is what makes it a blues.
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