- ii9G♯m9
- V7C♯7
- Imaj7F♯maj7
The standard cadence: G♯m9 carries the subdominant function before the dominant arrives.
The G♯m9 chord is a minor ninth chord built on the root note G♯. Its notes are G♯, B, D♯, F♯ and A♯. It's enharmonically the same chord as A♭m9.
Minor ninth chords are smooth, cool and slightly melancholy. The ninth widens a minor seventh into something more spacious, which is why it anchors so much modern R&B, house and jazz comping.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
To play G♯m9 on piano, place your right hand with your thumb on G♯, index finger on B, middle finger on D♯, ring finger on F♯ and little finger on A♯. Press the keys together and listen for an even sound. On the keyboard G♯, D♯, F♯ and A♯ are black keys and B is white. The thumb starts on a black key, so slide the whole hand a little further in, towards the fallboard. Practice moving in and out of the chord slowly, then bring in a metronome.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
On guitar, G♯m9 is commonly played with the voicing shown above. This one is a barre at fret 1: keep the index finger flat across the strings and curve the others so they don't mute the strings next to them. String 2 rings open.
G♯ · B · D♯ · F♯ · A♯
Try G♯m9 on the virtual piano
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Also known as A♭m9
| Degree | Interval | Semitones | Note | Hear |
|---|---|---|---|---|
| 1 | Root | 0 | G♯(G#) | |
| ♭3 | Minor third | 3 | B | |
| 5 | Perfect fifth | 7 | D♯(D#) | |
| ♭7 | Minor seventh | 10 | F♯(F#) | |
| 9 | Major ninth | 14 | A♯(A#) |
The G♯m9 chord is built from a root, a minor third, a perfect fifth, a minor seventh and a major ninth. Start at the root G♯ and stack the intervals to get the whole chord: G♯, B, D♯, F♯ and A♯. The same formula gives you the chord in any other key.
Minor ninth chords stand in for minor sevenths as the ii chord in a ii-V-I, or as the tonic of a minor groove. Neo-soul, house, jazz and R&B use them as the default minor colour.
G♯m9 adds a major ninth to G♯m7, which sets it apart from a minor triad with only an added ninth and from G♯9, which has a major third. Its upper four notes form the major seventh chord a minor third above the root.
A minor chord works as the tonic of its own key, and as the vi or the ii of a major one. Each progression below is written in the key its numerals name.
The standard cadence: G♯m9 carries the subdominant function before the dominant arrives.
A modal vamp - G♯m9 is home, and the loop never resolves away from it.
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