- ii9Cm9
- V7F7
- Imaj7B♭maj7
The standard cadence: Cm9 carries the subdominant function before the dominant arrives.
The Cm9 chord is a minor ninth chord built on the root note C. Its notes are C, E♭, G, B♭ and D.
Minor ninth chords are smooth, cool and slightly melancholy. The ninth widens a minor seventh into something more spacious, which is why it anchors so much modern R&B, house and jazz comping.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
To play Cm9 on piano, place your right hand with your thumb on C, index finger on E♭, middle finger on G, ring finger on B♭ and little finger on D. Press the keys together and listen for an even sound. On the keyboard E♭ and B♭ are black keys and C, G and D are white. Practice moving in and out of the chord slowly, then bring in a metronome.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
On guitar, Cm9 is commonly played with the voicing shown above. The fretted notes sit between frets 1 and 3. Don't play string 6.
C · E♭ · G · B♭ · D
Play Cm9 on the online piano
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| Degree | Interval | Semitones | Note | Hear |
|---|---|---|---|---|
| 1 | Root | 0 | C | |
| ♭3 | Minor third | 3 | E♭(Eb) | |
| 5 | Perfect fifth | 7 | G | |
| ♭7 | Minor seventh | 10 | B♭(Bb) | |
| 9 | Major ninth | 14 | D |
The Cm9 chord is built from a root, a minor third, a perfect fifth, a minor seventh and a major ninth. Start at the root C and stack the intervals to get the whole chord: C, E♭, G, B♭ and D. The same formula gives you the chord in any other key.
Minor ninth chords stand in for minor sevenths as the ii chord in a ii-V-I, or as the tonic of a minor groove. Neo-soul, house, jazz and R&B use them as the default minor colour.
Cm9 adds a major ninth to Cm7, which sets it apart from a minor triad with only an added ninth and from C9, which has a major third. Its upper four notes form the major seventh chord a minor third above the root.
A minor chord works as the tonic of its own key, and as the vi or the ii of a major one. Each progression below is written in the key its numerals name.
The standard cadence: Cm9 carries the subdominant function before the dominant arrives.
A modal vamp - Cm9 is home, and the loop never resolves away from it.
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