- ii7D♯m7
- V7G♯7
- Imaj7C♯maj7
The standard cadence: D♯m7 carries the subdominant function before the dominant arrives.
The D♯m7 chord is a minor seventh chord built on the root note D♯. Its notes are D♯, F♯, A♯ and C♯. It's enharmonically the same chord as E♭m7.
Minor seventh chords are smooth and neutral, softer than a plain minor triad. They're a staple of jazz, funk and neo-soul, where they add motion without heavy tension.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
To play D♯m7 on piano, place your right hand with your thumb on D♯, index finger on F♯, middle finger on A♯ and little finger on C♯. Press the keys together and listen for an even sound. On the keyboard every note of D♯m7 is a black key. The thumb starts on a black key, so slide the whole hand a little further in, towards the fallboard. Practice moving in and out of the chord slowly, then bring in a metronome.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
On guitar, D♯m7 is commonly played with the voicing shown above. This one is a barre at fret 6: keep the index finger flat across the strings and curve the others so they don't mute the strings next to them. Don't play string 6.
D♯ · F♯ · A♯ · C♯
Play D♯m7 on the online piano
Free, in your browser: play with the mouse, your computer keyboard or a USB MIDI keyboard. No sign-up.
Also known as E♭m7
| Degree | Interval | Semitones | Note | Hear |
|---|---|---|---|---|
| 1 | Root | 0 | D♯(D#) | |
| ♭3 | Minor third | 3 | F♯(F#) | |
| 5 | Perfect fifth | 7 | A♯(A#) | |
| ♭7 | Minor seventh | 10 | C♯(C#) |
The D♯m7 chord is built from a root, a minor third, a perfect fifth and a minor seventh. Start at the root D♯ and stack the intervals to get the whole chord: D♯, F♯, A♯ and C♯. The same formula gives you the chord in any other key.
Minor seventh chords are foundational in jazz, funk, neo-soul and R&B. They're typically the iim7, iiim7 or vim7 chord of a major key and the i7 of a minor key.
In major keys D♯m7 is the iii7 in B major, the vi7 in F♯ major and the ii7 in C♯ major; in minor keys it's the v7 in G♯ minor, the i7 in D♯ minor and the iv7 in A♯ minor.
D♯m7 puts a minor seventh on a minor triad, which separates it from D♯m(maj7), whose seventh is a half step higher and much sharper. Compared with D♯m7♭5, it keeps a perfect fifth, so it sounds relaxed rather than tense. Its upper three notes form the major triad a minor third above the root, which is why it blends so easily with major chords.
A minor chord works as the tonic of its own key, and as the vi or the ii of a major one. Each progression below is written in the key its numerals name.
The standard cadence: D♯m7 carries the subdominant function before the dominant arrives.
A turnaround. D♯m7 is the relative minor of F♯, which softens the way back to the tonic.
A modal vamp - D♯m7 is home, and the loop never resolves away from it.
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