- vii°B♯°
- IC♯
Every note pulls inward into C♯ by a semitone or a tone. This is the chord's primary function.
The B♯ Diminished chord is built on the root note B♯. Its notes are B♯, D♯ and F♯. It's enharmonically the same chord as C Diminished.
Diminished chords sound unstable and suspenseful. Two stacked minor thirds create a tight, dissonant tension that composers use for passing chords, horror scores and dramatic turnarounds.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
To play B♯ Diminished on piano, place your right hand with your thumb on B♯, middle finger on D♯ and little finger on F♯. Press the keys together and listen for an even sound. Practice moving in and out of the chord slowly, then bring in a metronome.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
On guitar, B♯ Diminished is commonly played with the voicing shown above. This one is a barre shape: keep the index finger flat across the fretboard and curve the others so they don't mute the strings next to them. Strum only the strings marked as active in the diagram.
Also known as C Diminished
| Degree | Interval | Semitones | Note | Hear |
|---|---|---|---|---|
| 1 | Root | 0 | B♯(B#) | |
| ♭3 | Minor third | 3 | D♯(D#) | |
| ♭5 | Diminished fifth | 6 | F♯(F#) |
The B♯ Diminished chord is built from a root, a minor third and a diminished fifth. Start at the root B♯ and stack the intervals to get the whole chord: B♯, D♯ and F♯. The same formula gives you the chord in any other key.
Diminished chords are passing tools in classical, jazz, bluegrass and film music. They're often used as vii° leading to the tonic or as chromatic passing chords between diatonic chords.
A diminished chord is a tension chord. It works as the leading-tone chord of a key, and as a dominant seventh with its root left out.
Every note pulls inward into C♯ by a semitone or a tone. This is the chord's primary function.
The minor cadence. B♯ Diminished leads into the dominant, and the seventh is what makes it a ii rather than a diminished triad.
These scales include B♯° as one of their diatonic chords. Use them to find melodies and improvisation ideas that fit perfectly.
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