F Arabian scale

The F Arabian scale is a 7-note arabian scale built on the root F. Its notes are F, G, A, B♭, C♭, D♭ and E♭. Major upper tetrachord followed by a half-step descent through the lower tetrachord — open, expressive, often heard in Maqam-style melodies. This page covers the formula, fingerings, diatonic chords and common progressions that make F Arabian a great tool for improvising and composing.

Short answer

Arabian shows up in Maqam-style melodies, Egyptian and Levantine pop, and Western film scoring after a sense of place. The half-steps in the upper tetrachord are its signature. Built on the root F, the scale takes on the specific colour and pitch range of that key - making it especially useful in genres and registers where F is a comfortable tonal centre.

Notes
F · G · A · B♭ · C♭ · D♭ · E♭
Formula
1P · 2M · 3M · 4P · 5d · 6m · 7m
Step pattern
W W H H W W W
Tonic
F

F Arabian on the piano

Show:
Piano keyboard highlighting the F Arabian scale notesFGAC♭FGAC♭D♭E♭B♭D♭E♭B♭F Arabian - F · G · A · B♭ · C♭ · D♭ · E♭

F Arabian on the guitar

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Position:
Guitar fretboard highlighting the F Arabian scale noteseBGDAEFGAB♭C♭D♭E♭C♭D♭E♭FGAB♭C♭GAB♭C♭D♭E♭FGE♭FGAB♭C♭D♭AB♭C♭D♭E♭FGAFGAB♭C♭D♭E♭F Arabian - fr 012

F Arabian on the staff

Hear the F Arabian scale

F Arabian
F · G · A · B♭ · C♭ · D♭ · E♭
FGAB♭C♭D♭E♭

Improvisation drone

Loop the root note as a pad to practice improvising over this scale.

F Arabian
F

Notes of the F Arabian scale

DegreeIntervalSemitonesNoteHear
11P0F
22M2G
33M4A
44P5B♭(Bb)
55d6C♭(Cb)
66m8D♭(Db)
77m10E♭(Eb)

Diatonic chords of F Arabian

These are the chords that naturally form on each degree of the scale. Click a chord to open its dedicated page.

How to use the F Arabian scale

The diatonic chords of F Arabian are: I = F, ii° = G°, III = A, iv = B♭m, V+ = C♭+, VI+ = D♭+, VII = E♭. These seven chords belong naturally to the key and are the safest harmonic vocabulary when writing songs in F Arabian. Click any chord below to open its full diagram and progressions.

Arabian shows up in Maqam-style melodies, Egyptian and Levantine pop, and Western film scoring after a sense of place. The half-steps in the upper tetrachord are its signature.

Practice tips

Treat the half-steps in the upper tetrachord (♭5–♭6 and ♭6–♭7) as ornamental targets rather than passing notes — slow trills and slides between them sell the Arabian sound.

Where you will hear F Arabian

F Arabian appears throughout arabian shows up in maqam-style melodies, egyptian and levantine pop, and western film scoring after a sense of place. the half-steps in the upper tetrachord are its signature. Listening to music in this scale and transcribing short phrases is the fastest way to absorb its sound.

Formula & step pattern

Formula
1P · 2M · 3M · 4P · 5d · 6m · 7m
Step pattern
W - W - H - H - W - W - W

The F Arabian scale follows intervals 1, 2, 3, 4, ♭5, ♭6, ♭7 — a major lower tetrachord followed by half steps walking down the upper tetrachord. Step pattern: W - W - H - H - W - W - W. Intervals from the root: 1P · 2M · 3M · 4P · 5d · 6m · 7m. Memorising the formula lets you transpose the scale to any other root note quickly.

Questions people ask

What notes are in the F Arabian scale?
The F Arabian scale contains F, G, A, B♭, C♭, D♭ and E♭.
What is the formula for the F Arabian scale?
F Arabian follows intervals 1, 2, 3, 4, ♭5, ♭6, ♭7 — a major lower tetrachord followed by half steps walking down the upper tetrachord.
Is F Arabian a major or minor scale?
F Arabian is a arabian scale. Major upper tetrachord followed by a half-step descent through the lower tetrachord — open, expressive, often heard in Maqam-style melodies.
What chords belong to the F Arabian scale?
The diatonic chords of F Arabian are F, G°, A, B♭m, C♭+, D♭+, E♭.
Which genres use F Arabian?
Arabian shows up in Maqam-style melodies, Egyptian and Levantine pop, and Western film scoring after a sense of place. The half-steps in the upper tetrachord are its signature.
How do I practise the F Arabian scale?
Treat the half-steps in the upper tetrachord (♭5–♭6 and ♭6–♭7) as ornamental targets rather than passing notes — slow trills and slides between them sell the Arabian sound.