C Arabian scale

The C Arabian scale is a 7-note arabian scale built on the root C. Its notes are C, D, E, F, G♭, A♭ and B♭. Major upper tetrachord followed by a half-step descent through the lower tetrachord — open, expressive, often heard in Maqam-style melodies. This page covers the formula, fingerings, diatonic chords and common progressions that make C Arabian a great tool for improvising and composing.

Short answer

Arabian shows up in Maqam-style melodies, Egyptian and Levantine pop, and Western film scoring after a sense of place. The half-steps in the upper tetrachord are its signature. Built on the root C, the scale takes on the specific colour and pitch range of that key - making it especially useful in genres and registers where C is a comfortable tonal centre.

Notes
C · D · E · F · G♭ · A♭ · B♭
Formula
1P · 2M · 3M · 4P · 5d · 6m · 7m
Step pattern
W W H H W W W
Tonic
C

C Arabian on the piano

Show:
Piano keyboard highlighting the C Arabian scale notesCDEFCDEFG♭A♭B♭G♭A♭B♭C Arabian - C · D · E · F · G♭ · A♭ · B♭

C Arabian on the guitar

Show:
Position:
Guitar fretboard highlighting the C Arabian scale noteseBGDAEEFG♭A♭B♭CDECDEFG♭A♭B♭A♭B♭CDEFG♭DEFG♭A♭B♭CDB♭CDEFG♭A♭EFG♭A♭B♭CDEC Arabian - fr 012

C Arabian on the staff

Hear the C Arabian scale

C Arabian
C · D · E · F · G♭ · A♭ · B♭
CDEFG♭A♭B♭

Improvisation drone

Loop the root note as a pad to practice improvising over this scale.

C Arabian
C

Notes of the C Arabian scale

DegreeIntervalSemitonesNoteHear
11P0C
22M2D
33M4E
44P5F
55d6G♭(Gb)
66m8A♭(Ab)
77m10B♭(Bb)

Diatonic chords of C Arabian

These are the chords that naturally form on each degree of the scale. Click a chord to open its dedicated page.

How to use the C Arabian scale

The diatonic chords of C Arabian are: I = C, ii° = D°, III = E, iv = Fm, V+ = G♭+, VI+ = A♭+, VII = B♭. These seven chords belong naturally to the key and are the safest harmonic vocabulary when writing songs in C Arabian. Click any chord below to open its full diagram and progressions.

Arabian shows up in Maqam-style melodies, Egyptian and Levantine pop, and Western film scoring after a sense of place. The half-steps in the upper tetrachord are its signature.

Practice tips

Treat the half-steps in the upper tetrachord (♭5–♭6 and ♭6–♭7) as ornamental targets rather than passing notes — slow trills and slides between them sell the Arabian sound.

Where you will hear C Arabian

C Arabian appears throughout arabian shows up in maqam-style melodies, egyptian and levantine pop, and western film scoring after a sense of place. the half-steps in the upper tetrachord are its signature. Listening to music in this scale and transcribing short phrases is the fastest way to absorb its sound.

Formula & step pattern

Formula
1P · 2M · 3M · 4P · 5d · 6m · 7m
Step pattern
W - W - H - H - W - W - W

The C Arabian scale follows intervals 1, 2, 3, 4, ♭5, ♭6, ♭7 — a major lower tetrachord followed by half steps walking down the upper tetrachord. Step pattern: W - W - H - H - W - W - W. Intervals from the root: 1P · 2M · 3M · 4P · 5d · 6m · 7m. Memorising the formula lets you transpose the scale to any other root note quickly.

Questions people ask

What notes are in the C Arabian scale?
The C Arabian scale contains C, D, E, F, G♭, A♭ and B♭.
What is the formula for the C Arabian scale?
C Arabian follows intervals 1, 2, 3, 4, ♭5, ♭6, ♭7 — a major lower tetrachord followed by half steps walking down the upper tetrachord.
Is C Arabian a major or minor scale?
C Arabian is a arabian scale. Major upper tetrachord followed by a half-step descent through the lower tetrachord — open, expressive, often heard in Maqam-style melodies.
What chords belong to the C Arabian scale?
The diatonic chords of C Arabian are C, D°, E, Fm, G♭+, A♭+, B♭.
Which genres use C Arabian?
Arabian shows up in Maqam-style melodies, Egyptian and Levantine pop, and Western film scoring after a sense of place. The half-steps in the upper tetrachord are its signature.
How do I practise the C Arabian scale?
Treat the half-steps in the upper tetrachord (♭5–♭6 and ♭6–♭7) as ornamental targets rather than passing notes — slow trills and slides between them sell the Arabian sound.