B♭ Arabian scale

The B♭ Arabian scale is a 7-note arabian scale built on the root B♭. Its notes are B♭, C, D, E♭, F♭, G♭ and A♭. Major upper tetrachord followed by a half-step descent through the lower tetrachord — open, expressive, often heard in Maqam-style melodies. This page covers the formula, fingerings, diatonic chords and common progressions that make B♭ Arabian a great tool for improvising and composing.

Short answer

Arabian shows up in Maqam-style melodies, Egyptian and Levantine pop, and Western film scoring after a sense of place. The half-steps in the upper tetrachord are its signature. Built on the root B♭, the scale takes on the specific colour and pitch range of that key - making it especially useful in genres and registers where B♭ is a comfortable tonal centre.

Notes
B♭ · C · D · E♭ · F♭ · G♭ · A♭
Formula
1P · 2M · 3M · 4P · 5d · 6m · 7m
Step pattern
W W H H W W W
Tonic
B♭

B♭ Arabian on the piano

Show:
Piano keyboard highlighting the B♭ Arabian scale notesCDF♭CDF♭E♭G♭A♭B♭E♭G♭A♭B♭B♭ Arabian - B♭ · C · D · E♭ · F♭ · G♭ · A♭

B♭ Arabian on the guitar

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Position:
Guitar fretboard highlighting the B♭ Arabian scale noteseBGDAEF♭G♭A♭B♭CDE♭F♭CDE♭F♭G♭A♭B♭A♭B♭CDE♭F♭G♭DE♭F♭G♭A♭B♭CDB♭CDE♭F♭G♭A♭F♭G♭A♭B♭CDE♭F♭B♭ Arabian - fr 012

B♭ Arabian on the staff

Hear the B♭ Arabian scale

B♭ Arabian
B♭ · C · D · E♭ · F♭ · G♭ · A♭
B♭CDE♭F♭G♭A♭

Improvisation drone

Loop the root note as a pad to practice improvising over this scale.

B♭ Arabian
B♭

Notes of the B♭ Arabian scale

DegreeIntervalSemitonesNoteHear
11P0B♭(Bb)
22M2C
33M4D
44P5E♭(Eb)
55d6F♭(Fb)
66m8G♭(Gb)
77m10A♭(Ab)

Diatonic chords of B♭ Arabian

These are the chords that naturally form on each degree of the scale. Click a chord to open its dedicated page.

How to use the B♭ Arabian scale

The diatonic chords of B♭ Arabian are: I = B♭, ii° = C°, III = D, iv = E♭m, V+ = F♭+, VI+ = G♭+, VII = A♭. These seven chords belong naturally to the key and are the safest harmonic vocabulary when writing songs in B♭ Arabian. Click any chord below to open its full diagram and progressions.

Arabian shows up in Maqam-style melodies, Egyptian and Levantine pop, and Western film scoring after a sense of place. The half-steps in the upper tetrachord are its signature.

Practice tips

Treat the half-steps in the upper tetrachord (♭5–♭6 and ♭6–♭7) as ornamental targets rather than passing notes — slow trills and slides between them sell the Arabian sound.

Where you will hear B♭ Arabian

B♭ Arabian appears throughout arabian shows up in maqam-style melodies, egyptian and levantine pop, and western film scoring after a sense of place. the half-steps in the upper tetrachord are its signature. Listening to music in this scale and transcribing short phrases is the fastest way to absorb its sound.

Formula & step pattern

Formula
1P · 2M · 3M · 4P · 5d · 6m · 7m
Step pattern
W - W - H - H - W - W - W

The B♭ Arabian scale follows intervals 1, 2, 3, 4, ♭5, ♭6, ♭7 — a major lower tetrachord followed by half steps walking down the upper tetrachord. Step pattern: W - W - H - H - W - W - W. Intervals from the root: 1P · 2M · 3M · 4P · 5d · 6m · 7m. Memorising the formula lets you transpose the scale to any other root note quickly.

Questions people ask

What notes are in the B♭ Arabian scale?
The B♭ Arabian scale contains B♭, C, D, E♭, F♭, G♭ and A♭.
What is the formula for the B♭ Arabian scale?
B♭ Arabian follows intervals 1, 2, 3, 4, ♭5, ♭6, ♭7 — a major lower tetrachord followed by half steps walking down the upper tetrachord.
Is B♭ Arabian a major or minor scale?
B♭ Arabian is a arabian scale. Major upper tetrachord followed by a half-step descent through the lower tetrachord — open, expressive, often heard in Maqam-style melodies.
What chords belong to the B♭ Arabian scale?
The diatonic chords of B♭ Arabian are B♭, C°, D, E♭m, F♭+, G♭+, A♭.
Which genres use B♭ Arabian?
Arabian shows up in Maqam-style melodies, Egyptian and Levantine pop, and Western film scoring after a sense of place. The half-steps in the upper tetrachord are its signature.
How do I practise the B♭ Arabian scale?
Treat the half-steps in the upper tetrachord (♭5–♭6 and ♭6–♭7) as ornamental targets rather than passing notes — slow trills and slides between them sell the Arabian sound.