- ii7C♯m7
- V13F♯13
- Imaj7Bmaj7
F♯13 is the chord that wants to resolve, so ending the loop on it hands straight back to the top.
The F♯13 chord is a dominant thirteenth chord built on the root note F♯. Its notes are F♯, A♯, E, G♯ and D♯. It's enharmonically the same chord as G♭13.
Dominant thirteenth chords are the fullest dominant sound in common use, a dominant seventh with a ninth and a thirteenth piled on top. The major sixth on top, sounding an octave up as the thirteenth, gives the chord a bright, open lid.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
To play F♯13 on piano, place your right hand with your thumb on F♯, index finger on A♯, middle finger on D♯, ring finger on E and little finger on G♯. Press the keys together and listen for an even sound. On the keyboard F♯, A♯, G♯ and D♯ are black keys and E is white. The thumb starts on a black key, so slide the whole hand a little further in, towards the fallboard. Practice moving in and out of the chord slowly, then bring in a metronome.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
On guitar, F♯13 is commonly played with the voicing shown above. This one is a barre at fret 1: keep the index finger flat across the strings and curve the others so they don't mute the strings next to them. String 1 rings open.
F♯ · A♯ · E · G♯ · D♯
Play F♯13 on the online piano
Free, in your browser: play with the mouse, your computer keyboard or a USB MIDI keyboard. No sign-up.
Also known as G♭13
| Degree | Interval | Semitones | Note | Hear |
|---|---|---|---|---|
| 1 | Root | 0 | F♯(F#) | |
| 3 | Major third | 4 | A♯(A#) | |
| ♭7 | Minor seventh | 10 | E | |
| 9 | Major ninth | 14 | G♯(G#) | |
| 13 | Major thirteenth | 21 | D♯(D#) |
The F♯13 chord is built from a root, a major third, a minor seventh, a major ninth and a major thirteenth. Start at the root F♯ and stack the intervals to get the whole chord: F♯, A♯, E, G♯ and D♯. The same formula gives you the chord in any other key.
Dominant thirteenth chords are the default rich dominant in jazz, gospel and R&B horn and keyboard voicings, usually the V7 resolving to a major or minor tonic. Big band charts lean on them wherever a plain dominant seventh would sound thin.
F♯13 tops the dominant family, with a thirteenth over F♯7 and F♯9. The thirteenth is the sixth an octave higher, and that is the line between it and F♯6: F♯13 also has the minor seventh, so it keeps the dominant pull. The fifth and the eleventh are left out so the voicing doesn't get muddy.
A dominant chord wants to resolve. Its home is the V of a major key - and the I of a blues, where the pull never lets up.
F♯13 is the chord that wants to resolve, so ending the loop on it hands straight back to the top.
The twelve-bar shape boiled down. The tonic is itself a dominant seventh, which is what makes it a blues.
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