- ii9B♭m9
- V7E♭7
- Imaj7A♭maj7
The standard cadence: B♭m9 carries the subdominant function before the dominant arrives.
The B♭m9 chord is a minor ninth chord built on the root note B♭. Its notes are B♭, D♭, F, A♭ and C. It's enharmonically the same chord as A♯m9.
Minor ninth chords are smooth, cool and slightly melancholy. The ninth widens a minor seventh into something more spacious, which is why it anchors so much modern R&B, house and jazz comping.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
To play B♭m9 on piano, place your right hand with your thumb on B♭, index finger on C, middle finger on D♭, ring finger on F and little finger on A♭. Press the keys together and listen for an even sound. On the keyboard B♭, D♭ and A♭ are black keys and F and C are white. The thumb starts on a black key, so slide the whole hand a little further in, towards the fallboard. Practice moving in and out of the chord slowly, then bring in a metronome.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
On guitar, B♭m9 is commonly played with the voicing shown above. This one is a barre at fret 3: keep the index finger flat across the strings and curve the others so they don't mute the strings next to them.
B♭ · D♭ · F · A♭ · C
Try B♭m9 on the virtual piano
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Also known as A♯m9
| Degree | Interval | Semitones | Note | Hear |
|---|---|---|---|---|
| 1 | Root | 0 | B♭(Bb) | |
| ♭3 | Minor third | 3 | D♭(Db) | |
| 5 | Perfect fifth | 7 | F | |
| ♭7 | Minor seventh | 10 | A♭(Ab) | |
| 9 | Major ninth | 14 | C |
The B♭m9 chord is built from a root, a minor third, a perfect fifth, a minor seventh and a major ninth. Start at the root B♭ and stack the intervals to get the whole chord: B♭, D♭, F, A♭ and C. The same formula gives you the chord in any other key.
Minor ninth chords stand in for minor sevenths as the ii chord in a ii-V-I, or as the tonic of a minor groove. Neo-soul, house, jazz and R&B use them as the default minor colour.
B♭m9 adds a major ninth to B♭m7, which sets it apart from a minor triad with only an added ninth and from B♭9, which has a major third. Its upper four notes form the major seventh chord a minor third above the root.
A minor chord works as the tonic of its own key, and as the vi or the ii of a major one. Each progression below is written in the key its numerals name.
The standard cadence: B♭m9 carries the subdominant function before the dominant arrives.
A modal vamp - B♭m9 is home, and the loop never resolves away from it.
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