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F♯ Hirajōshi scale

The F♯ Hirajōshi scale has 5 notes: F♯, G♯, A, C♯, and D.

F♯ Hirajōshi scale on the piano: F♯ G♯ A C♯ D
F♯ Hirajōshi on the piano. The filled dot is the tonic, F♯.
The F♯ Hirajōshi scale, note by noteW is a whole step (two keys), H a half step (the next key).
  1. F♯1
  2. G♯2
  3. A3
  4. C♯5
  5. D6
  6. F♯8

F♯ Hirajōshi at a glance

Hirajōshi is one of the most recognisable Japanese pentatonic scales - instantly evokes koto, shamisen and traditional folk music. Built on the root F♯, the scale takes on the specific colour and pitch range of that key - making it especially useful in genres and registers where F♯ is a comfortable tonal centre.

F♯ Hirajōshi at a glance
NotesF♯ G♯ A C♯ D
Formula1P · 2M · 3m · 5P · 6m
Step patternW H 2W H 2W

F♯ Hirajōshi on the piano

Show
ADADF♯G♯C♯F♯G♯C♯F♯

Improvisation drone · F♯

Loop the root note as a pad to practice improvising over this scale.

On the piano F♯ Hirajōshi uses three black keys (F♯, G♯ and C♯) and two white.

F♯ · G♯ · A · C♯ · D

Try F♯ Hirajōshi on the virtual piano

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F♯ Hirajōshi on the guitar

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Position:
e
B
G
D
A
E
0
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F♯ Hirajōshi - fr 0–12

F♯ Hirajōshi on the staff

Notes of the F♯ Hirajōshi scale

DegreeNoteIntervalSemitonesHear
1F♯unison1P0
2G♯major 2nd2M2
3Aminor 3rd3m3
4C♯perfect 5th5P7
5Dminor 6th6m8

What makes F♯ Hirajōshi different

Hirajōshi is a five-note scale (1, 2, ♭3, 5, ♭6): natural minor with the fourth and seventh left out. Unlike the minor pentatonic it keeps two half steps, between 2 and ♭3 and between 5 and ♭6, which give it its koto-like sound. It also has two gaps of a major third, ♭3 to 5 and ♭6 to the octave, so the scale alternates tight steps with wide leaps. That contrast is what makes it sound Japanese to Western ears rather than simply minor. On F♯, F♯ Hirajōshi is F♯ Natural Minor (F♯ G♯ A B C♯ D E) without B and E.

How to use the F♯ Hirajōshi scale

Because F♯ Hirajōshi has fewer or more than seven notes, it doesn't produce a standard set of seven diatonic triads. Instead, build chords by stacking thirds within the scale or use it as a melodic colour over chords drawn from a related diatonic key.

Hirajōshi is one of the most recognisable Japanese pentatonic scales - instantly evokes koto, shamisen and traditional folk music.

Practice tips

Hirajōshi rewards slow, expressive playing. Try ringing each note out for several seconds before moving on, like a koto player would.

Formula & step pattern

The F♯ Hirajōshi scale follows a five-note scale with intervals 1, 2, ♭3, 5, ♭6 evoking traditional koto music. Step pattern: W - H - 2W - H - 2W. Intervals from the root: 1P · 2M · 3m · 5P · 6m. Memorising the formula lets you transpose the scale to any other root note quickly.

Where you will hear F♯ Hirajōshi

Start with the music described above: listen for F♯ Hirajōshi in it and transcribe a few short phrases by ear. It's the quickest way to learn how the scale sounds.

Questions people ask

What notes are in the F♯ Hirajōshi scale?

The F♯ Hirajōshi scale contains F♯, G♯, A, C♯ and D.

What is the formula for the F♯ Hirajōshi scale?

F♯ Hirajōshi follows a five-note scale with intervals 1, 2, ♭3, 5, ♭6 evoking traditional koto music.

Is F♯ Hirajōshi a major or minor scale?

F♯ Hirajōshi is a hirajōshi scale. Japanese pentatonic scale with a contemplative, koto-like atmosphere.

What chords belong to the F♯ Hirajōshi scale?

F♯ Hirajōshi doesn't produce a standard seven-chord diatonic set. Use chords from a related diatonic scale instead.

Which genres use F♯ Hirajōshi?

Hirajōshi is one of the most recognisable Japanese pentatonic scales - instantly evokes koto, shamisen and traditional folk music.

How do you play the F♯ Hirajōshi scale on the piano?

On the piano F♯ Hirajōshi uses three black keys (F♯, G♯ and C♯) and two white.

What is the difference between F♯ Hirajōshi and F♯ Natural Minor?

On F♯, F♯ Hirajōshi is F♯ Natural Minor (F♯ G♯ A B C♯ D E) without B and E.

How do I practise the F♯ Hirajōshi scale?

Hirajōshi rewards slow, expressive playing. Try ringing each note out for several seconds before moving on, like a koto player would.