As the VC major
- ii7Dm7
- V7♭9G7♭9
- Imaj7Cmaj7
G7♭9 is the chord that wants to resolve, so ending the loop on it hands straight back to the top.
G7♭9 Chord: Guitar, Piano and Notes
The G7♭9 chord is a altered dominant seventh chord built on the root note G. Its notes are G, B, D, F and A♭.
Transpose
Quality
Short answer
Dominant seventh flat nine chords sound dark and urgent. Stacking a minor ninth on a dominant seventh tightens the tension already built into the tritone, which makes the chord a strong pull toward a minor tonic.
- Notes
- G · B · D · F · A♭
- Formula
- 1 · 3 · 5 · ♭7 · ♭9
- Semitones
- 0 · 4 · 7 · 10 · 13
- Note
- G
- Quality
- Dominant 7♭9
- Symbol
- G7♭9
G7♭9 on piano
5 notesView:
Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
To play G7♭9 on piano, place your right hand with your thumb on G, index finger on B, middle finger on D, ring finger on F and little finger on A♭. Press the keys together and listen for an even sound. On the keyboard A♭ is a black key and G, B, D and F are white. Practice moving in and out of the chord slowly, then bring in a metronome.
- G1
- B3
- D5
- F♭7
- A♭♭9
G7♭9 on guitar
View:
Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
On guitar, G7♭9 is commonly played with the voicing shown above. The fretted notes sit between frets 1 and 3. Strings 4 and 2 ring open.
G · B · D · F · A♭
Play G7♭9 on the online piano
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G7♭9 chord notes
| Degree | Interval | Semitones | Note | Hear |
|---|---|---|---|---|
| 1 | Root | 0 | G | |
| 3 | Major third | 4 | B | |
| 5 | Perfect fifth | 7 | D | |
| ♭7 | Minor seventh | 10 | F | |
| ♭9 | Minor ninth | 13 | A♭(Ab) |
How to use the G7♭9 chord
The G7♭9 chord is built from a root, a major third, a perfect fifth, a minor seventh and a minor ninth. Start at the root G and stack the intervals to get the whole chord: G, B, D, F and A♭. The same formula gives you the chord in any other key.
Dominant seventh flat nine chords are the classic altered dominant of bebop and gospel, most often the V7 of a ii-V-i in a minor key. Gospel piano voices this chord thick under the vocal line right before it resolves.
How G7♭9 differs from similar chords
G7♭9 is G7 with a minor ninth, a half step above the root, where G9 has a major ninth. Leave out the root and the other four notes form a diminished seventh chord a major third up. That is why it pulls so hard towards a minor chord a fifth below.
Where G7♭9 is used
A dominant chord wants to resolve. Its home is the V of a major key - and the I of a blues, where the pull never lets up.
Questions people ask
- What notes are in the G7♭9 chord?
- The G7♭9 chord contains G, B, D, F and A♭ (G, B, D, F and Ab in plain text).
- Is the G7♭9 chord major or minor?
- G7♭9 is a altered dominant seventh chord. Dominant seventh flat nine chords sound dark and urgent. Stacking a minor ninth on a dominant seventh tightens the tension already built into the tritone, which makes the chord a strong pull toward a minor tonic.
- How do you play G7♭9 on piano?
- Place your fingers on G, B, D, F and A♭ and play them together. The root usually goes to the little finger of the left hand, the upper notes to the right. On the keyboard A♭ is a black key and G, B, D and F are white.
- How do you play G7♭9 on guitar?
- Use the fingering in the diagram above. The fretted notes sit between frets 1 and 3. Strings 4 and 2 ring open.
- What chords work well with G7♭9?
- G7♭9 pairs naturally with the chords in the related section: a perfect fifth up or down, the relative major or minor, and anything sharing two notes with it.