- ii7A♭m7
- V11D♭11
- Imaj7G♭maj7
D♭11 is the chord that wants to resolve, so ending the loop on it hands straight back to the top.
The D♭11 chord is a dominant eleventh chord built on the root note D♭. Its notes are D♭, A♭, C♭, E♭ and G♭. It's enharmonically the same chord as C♯11.
Dominant eleventh chords sound wide and suspended. The eleventh sits a half step above the major third that would normally anchor the chord, a clash sharp enough that the third is left out entirely and the fifth, seventh, ninth and eleventh do the talking.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
To play D♭11 on piano, place your right hand with your thumb on D♭, index finger on A♭, middle finger on C♭, ring finger on E♭ and little finger on G♭. Press the keys together and listen for an even sound. On the keyboard D♭, A♭, E♭ and G♭ are black keys and C♭ is white, the key you'd normally call B. The thumb starts on a black key, so slide the whole hand a little further in, towards the fallboard. Practice moving in and out of the chord slowly, then bring in a metronome.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
On guitar, D♭11 is commonly played with the voicing shown above. This one is a barre at fret 1: keep the index finger flat across the strings and curve the others so they don't mute the strings next to them. String 2 rings open. Don't play string 6.
D♭ · A♭ · C♭ · E♭ · G♭
Try D♭11 on the virtual piano
Free, in your browser: play with the mouse, your computer keyboard or a USB MIDI keyboard. No sign-up.
Also known as C♯11
| Degree | Interval | Semitones | Note | Hear |
|---|---|---|---|---|
| 1 | Root | 0 | D♭(Db) | |
| 5 | Perfect fifth | 7 | A♭(Ab) | |
| ♭7 | Minor seventh | 10 | C♭(Cb) | |
| 9 | Major ninth | 14 | E♭(Eb) | |
| 11 | Perfect eleventh | 17 | G♭(Gb) |
The D♭11 chord is built from a root, a perfect fifth, a minor seventh, a major ninth and a perfect eleventh. Start at the root D♭ and stack the intervals to get the whole chord: D♭, A♭, C♭, E♭ and G♭. The same formula gives you the chord in any other key.
Dominant eleventh chords show up in modal jazz and gospel as a suspended, unresolved colour, often standing in for a sus4 with extra shimmer on top. They work best in slow-moving vamps rather than fast cadences.
D♭11 stacks a ninth and an eleventh on D♭7, and the eleventh is the same note as the fourth. Because that fourth clashes with the major third, the third is left out, so the chord sounds close to D♭7sus4 with a ninth. It differs from D♭13, which keeps the third and adds the sixth an octave up.
A dominant chord wants to resolve. Its home is the V of a major key - and the I of a blues, where the pull never lets up.
D♭11 is the chord that wants to resolve, so ending the loop on it hands straight back to the top.
We use cookies to measure how the site is used and remember your settings. Details in our Privacy Policy.