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G♯ Hirajōshi scale

The G♯ Hirajōshi scale has 5 notes: G♯, A♯, B, D♯, and E.

G♯ Hirajōshi scale on the piano: G♯ A♯ B D♯ E
G♯ Hirajōshi on the piano. The filled dot is the tonic, G♯.
The G♯ Hirajōshi scale, note by noteW is a whole step (two keys), H a half step (the next key).
  1. G♯1
  2. A♯2
  3. B3
  4. D♯5
  5. E6
  6. G♯8

G♯ Hirajōshi at a glance

Hirajōshi is one of the most recognisable Japanese pentatonic scales - instantly evokes koto, shamisen and traditional folk music. Built on the root G♯, the scale takes on the specific colour and pitch range of that key - making it especially useful in genres and registers where G♯ is a comfortable tonal centre.

G♯ Hirajōshi at a glance
NotesG♯ A♯ B D♯ E
Formula1P · 2M · 3m · 5P · 6m
Step patternW H 2W H 2W

G♯ Hirajōshi on the piano

Show
BEBEG♯A♯D♯G♯A♯D♯G♯

Improvisation drone · G♯

Loop the root note as a pad to practice improvising over this scale.

On the piano G♯ Hirajōshi uses three black keys (G♯, A♯ and D♯) and two white.

G♯ · A♯ · B · D♯ · E

Play G♯ Hirajōshi on the online piano

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G♯ Hirajōshi on the guitar

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Position:
e
B
G
D
A
E
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G♯ Hirajōshi - fr 0–12

G♯ Hirajōshi on the staff

Notes of the G♯ Hirajōshi scale

DegreeNoteIntervalSemitonesHear
1G♯unison1P0
2A♯major 2nd2M2
3Bminor 3rd3m3
4D♯perfect 5th5P7
5Eminor 6th6m8

What makes G♯ Hirajōshi different

Hirajōshi is a five-note scale (1, 2, ♭3, 5, ♭6): natural minor with the fourth and seventh left out. Unlike the minor pentatonic it keeps two half steps, between 2 and ♭3 and between 5 and ♭6, which give it its koto-like sound. It also has two gaps of a major third, ♭3 to 5 and ♭6 to the octave, so the scale alternates tight steps with wide leaps. That contrast is what makes it sound Japanese to Western ears rather than simply minor. On G♯, G♯ Hirajōshi is G♯ Natural Minor (G♯ A♯ B C♯ D♯ E F♯) without C♯ and F♯.

How to use the G♯ Hirajōshi scale

Because G♯ Hirajōshi has fewer or more than seven notes, it doesn't produce a standard set of seven diatonic triads. Instead, build chords by stacking thirds within the scale or use it as a melodic colour over chords drawn from a related diatonic key.

Hirajōshi is one of the most recognisable Japanese pentatonic scales - instantly evokes koto, shamisen and traditional folk music.

Practice tips

Hirajōshi rewards slow, expressive playing. Try ringing each note out for several seconds before moving on, like a koto player would.

Formula & step pattern

The G♯ Hirajōshi scale follows a five-note scale with intervals 1, 2, ♭3, 5, ♭6 evoking traditional koto music. Step pattern: W - H - 2W - H - 2W. Intervals from the root: 1P · 2M · 3m · 5P · 6m. Memorising the formula lets you transpose the scale to any other root note quickly.

Where you will hear G♯ Hirajōshi

Start with the music described above: listen for G♯ Hirajōshi in it and transcribe a few short phrases by ear. It's the quickest way to learn how the scale sounds.

Questions people ask

What notes are in the G♯ Hirajōshi scale?

The G♯ Hirajōshi scale contains G♯, A♯, B, D♯ and E.

What is the formula for the G♯ Hirajōshi scale?

G♯ Hirajōshi follows a five-note scale with intervals 1, 2, ♭3, 5, ♭6 evoking traditional koto music.

Is G♯ Hirajōshi a major or minor scale?

G♯ Hirajōshi is a hirajōshi scale. Japanese pentatonic scale with a contemplative, koto-like atmosphere.

What chords belong to the G♯ Hirajōshi scale?

G♯ Hirajōshi doesn't produce a standard seven-chord diatonic set. Use chords from a related diatonic scale instead.

Which genres use G♯ Hirajōshi?

Hirajōshi is one of the most recognisable Japanese pentatonic scales - instantly evokes koto, shamisen and traditional folk music.

How do you play the G♯ Hirajōshi scale on the piano?

On the piano G♯ Hirajōshi uses three black keys (G♯, A♯ and D♯) and two white.

What is the difference between G♯ Hirajōshi and G♯ Natural Minor?

On G♯, G♯ Hirajōshi is G♯ Natural Minor (G♯ A♯ B C♯ D♯ E F♯) without C♯ and F♯.

How do I practise the G♯ Hirajōshi scale?

Hirajōshi rewards slow, expressive playing. Try ringing each note out for several seconds before moving on, like a koto player would.