- Imaj7C♭maj7
- IVmaj7F♭maj7
- V7G♭7
- Imaj7C♭maj7
F♭maj7 is the step away from home that makes the return feel like a return.
The F♭maj7 chord is a major seventh chord built on the root note F♭. Its notes are F♭, A♭, C♭ and E♭. It's enharmonically the same chord as Emaj7.
Major seventh chords are lush, open and slightly jazzy. Stacking a major third on top of a major triad gives them a dreamy colour often heard in bossa nova, soul and modern R&B.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
To play F♭maj7 on piano, place your right hand with your thumb on F♭, index finger on A♭, middle finger on C♭ and little finger on E♭. Press the keys together and listen for an even sound. On the keyboard A♭ and E♭ are black keys and F♭ and C♭ are white, the keys you'd normally call E and B. Practice moving in and out of the chord slowly, then bring in a metronome.

Switch to the interactive diagram to hear the chord, change voicing and swap finger numbers for note names.
On guitar, F♭maj7 is commonly played with the voicing shown above. This one is a barre at fret 7: keep the index finger flat across the strings and curve the others so they don't mute the strings next to them. Don't play string 6.
F♭ · A♭ · C♭ · E♭
Play F♭maj7 on the online piano
Free, in your browser: play with the mouse, your computer keyboard or a USB MIDI keyboard. No sign-up.
Also known as Emaj7
| Degree | Interval | Semitones | Note | Hear |
|---|---|---|---|---|
| 1 | Root | 0 | F♭(Fb) | |
| 3 | Major third | 4 | A♭(Ab) | |
| 5 | Perfect fifth | 7 | C♭(Cb) | |
| 7 | Major seventh | 11 | E♭(Eb) |
The F♭maj7 chord is built from a root, a major third, a perfect fifth and a major seventh. Start at the root F♭ and stack the intervals to get the whole chord: F♭, A♭, C♭ and E♭. The same formula gives you the chord in any other key.
Major seventh chords colour jazz standards, bossa nova, soul and modern pop. They most often serve as Imaj7 or IVmaj7 in a major key to add warmth without changing the function.
In major keys F♭maj7 is the IVmaj7 in C♭ major; in minor keys it's the VImaj7 in A♭ minor.
F♭maj7 is not F♭7: its seventh sits a half step below the root rather than a whole step, so it floats instead of pulling. Next to F♭6, which adds the sixth instead, F♭maj7 sounds lusher and more modern. The major seventh is the only note that separates it from a plain F♭ triad.
A major chord is at home as a tonic, and just as useful as the IV or the V of a neighbouring key. Each progression below is written in the key its numerals name.
F♭maj7 is the step away from home that makes the return feel like a return.
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